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The Voices
Inside
New Mercury Theatre Company’s
Monthly Newsletter
February 2008
WELCOME
If
you are reading this inaugural newsletter of the New Mercury Theatre
Company, you are either a company member or may be planning on joining our
theatrical family real soon. Either way, welcome to what I hope will be a
haven for actors and artists. I have spent most of my adult life creating
supportive environments, (classes, theatre companies, comedy night club)
where actors, writers and performers can thrive – a place to study you
craft, explore your art, and learn the business of show business. I
believe this newest venture will be that, and so much more. Our focus will
be exploring new works and giving voice to material we love, live on stage
once a month, for the sole purpose of raising money and awareness for
local charities. That, and of course, feeding our need to create and
communicate. The website and company dues will allow us to produce these
events, while giving actors a bottomless resource for information they
will need in their craft and careers for years to come.
HOW
THIS WILL WORK
As
a member, you’ll get weekly company updates and a monthly, members only
newsletter (just like this one) that also will be available with a secure
password on our website. Each month, the newsletter will have industry
news, audition tips and advice, and loads of actor internet resources.
This community of actors will be dedicated to sharing information and
knowledge about the industry with each other and for each other. I will
maintain many (most/all?) of these columns myself, but encourage you to
participate as much as you desire. This entire venture is about furthering
the conversation of creativity with passionate, equally insane, dedicated
dreamers. This community will benefit each of us, all of us, beyond our
careers. If we let our art “out”, give back rather than hoard and
isolate, a common cause becomes a virtual community, that will better us
as people. Share the knowledge, share the information, we all benefit.
Build what we need. Give the rest away.
SO
WHAT’S IN IT FOR ME?
You
get to perform great and varied material that the “industry” may or
may not cast you in. You get the opportunity to give back to our
community. You get a website that will become an invaluable resource guide
for actors to the best of what the Internet has to offer – not
entertainment websites with celebrity gossip, but sites on acting,
voice-overs, comedy, film history, dialects – whatever tools you need to
help you with your career and craft as an actor/writer/entertainer. You
get a place to share you acting knowledge, experience, audition joys and
disappointments with your peers who not only understand but just may be
eager for the information. You get a chance to make a difference instead
of a splash. You get what you give. You get it?
CAN
I CONTRIBUTE TO THE NEWSLETTER?
I’m
counting on it. This vision of the NMT will only grow and thrive on the
imagination and knowledge of its members. Got an idea? Let’s make it
happen, on the stage, on the website or in the community. With your
contribution and contributions, you make this a better project for all who
take part.
ARE
YOU GOING TO ALWAYS GOING TO ASK LOTS OF QUESTIONS?
Why
do you ask? (sorry, comedy law). I’d rather do than tell, so on to this
month’s information and resources!
YES
AND….
…will
be my monthly improv column, featuring improv games and tips to help
sharpen your auditions. The focus here will first be some basic improv
“guidelines” for you to follow when at an audition and you’ve been
thrown a curveball by the CD. First tip on improvising a scene, there’s
only three things you need to know about the scene: Who are you, where are
you, why are you there. If you can build that in two sentences (and you
can) you have the foundation for a great scene. I will elaborate more on
this concept in next month’s column.
THE
PLAY’S THE THING
Here
is a list of the short plays I’m considering for our first few events.
Until we get a plethora of good, original, unpublished material, we will
choose our plays from some of the top one-act plays and ten minute plays
from around the country the past deacde. We’ve already read some of the
ones I like these past few Tuesday nights. I will continue to list what is
under consideration. They are all mostly available at Sam French, or you
can come by make a copy if it’s an unpublished original submission.
Check out: The Blonde and Other Slight Distractions, collection by David
L. Paterson; Laugh Lines, edited by
Eric Lane
& Nina Shengold; All in the Timing, David Ives.
READ
ON, MACDUFF
So
you like to read, eh? So just like we’ll do with the links, here are
some of what I feel are the best theatre books to have in your own
actor’s library. Whether you use them for research, technique tips or
just a quest for knowledge, they will enrich your creative self. They have
done the same for me. I start with what has brought me the most joy and
the most success. Improvisation. These two books are basis for all improv
you see done today. Their respective insights are timeless and they give
you the structure and tools to create a world from a suggestion. These
text books are for the actor, and not a compilation of photos and SNL
bits. There are no better books on improv than these two. Add them to your
library asap: Improvisation for the Theatre by Viola Spolin; Impro by
Keith Johnstone
KNOWLEDGE
IS GOOD
So
said Emil Faber. I concur. And although this is our last item for this
month’s newsletter, we begin one of the mainstays of this theatrical
endeavor for our acting community. Here begins the list. The Actor Link
Genome Project. We will create a library of links for all our members to
share, on whatever topics can aid you and your craft, your career, your
auditions. Real resources for the actors, with new links/categories added
monthly, are just a click away. There are no advertisers here, so no lists
of cheap photographers, bad classes/workshops or other ways to spend
(waste) our hard earned money, just sites any actor can use for research,
information or relaxation, with a nod to some personal faves and friends,
naturally. Ergo, here’s an additional great 25+ websites every actor
needs to know about, to go along with the 40+ on the home page of our
website. You will have hundreds of great internet resources for your
career in months. Starting next month, I will feature three of these sites
in detail in each newsletter. Please drop me a line if you know of website
that would be of interest to your peers. For now, here is your starter set
of sites. Surf’s up! Love, The Big Kahuna……
NMT
Link Library – February 2008
ACCENTS/DIALECTS
accent.gmu.edu/index.php
dictionary.reference.com/translate/
ALL
THINGS SPELLOS
fabulousspellosbrothers.typepad.com
meeting-u.com
newmercurytheatre.com
peterspellos.com
ANIME
animenewsnetwork.com
BLOGS
cinematical.com
tvsquad.com
unitedhollywood.com
HISTORY/TV
& FILM
oscars.org
paleycenter.org
HUMOR
mentalfloss.com
theonion.com
pythonline.com
funny2.com/bar.htm
IMPROV
fuzzyco.com/improv
improvamerica.com
improvcomedy.org
laughing.com
yesand.com
MARKETING
actorsaccess.com
actors-network.com
breakdownservices.com
nowcasting.com
sidesexpress.com
MOVIES
firstshowing.com
PHOTOGRAPHY
jvimages.com
SCRIPTS
script-o-rama.com
STAND-UP
COMEDY
georgecarlin.com
sheckymagazine.com
lewisblack.net
TICKETS/PLAYS
goldstar.com
VOICE-OVERS
voicebank.com
WORKSHOPS
itaproductions.com
More
Member Benefits scheduled for March and beyond at The New Mercury Theatre:
MONO-BLOG
– Weekly NMT updates and information e-mailed directly to you!
THE
GREEN ROOM – Message Board
& Actors’ Info Community. Share
your greatest triumphs, nightmare audition stories and more!
COLLEGE
GIRL – Lizzy Karp reports from the Skidmore College Theatre Dep’t, and
trading Dylan McDermott for Dylan Thomas.
THE
VOICES INSIDE – Podcast Version of Monthly Member Interview’s
AUDITION
LOG – Share your audition experiences and information
BACKSTAGE
PASS – Websites Every Actor Must Know – Three featured reviews monthly
THE
RED LIGHT IS ON – Do’s and Don’t at the Audition –
TALENT
ROUND-UP – See what members have booked and what they’re working on
AUDITION
DO’s and DONT’S
For
more about The New Mercury Theatre,
contact: Peter Spellos, Producing Director
peterspellos@roadrunner.com |